See this video. This is what we lost. Third World population exploded and powerful domestic interests have ever since been invested in sending these waves of brown meat into our countries. Most people have accepted Diversity as an immutable state of affairs and believe that we will never, ever again have a music video with nothing but White faces.
Are most people right?
Watch Mellencamp’s “Pink Houses” video to the very end without skipping. I don’t even mind the ancient black man as some kind of a national relic at the beginning. It gets good.
Now, compare that “Heartland Rock” from 1983 to Kid Rock’s “Po-Dunk” video from 2017, which features a similar series of visuals about rural Americans (under this post). I reviewed the “Po-Dunk” video on its own complex terms in that linked article and I wouldn’t change anything I wrote then. But I can also be blunt:
Unlike the characters in “Pink Houses,” the people in Po-Dunk are portrayed as people stripped of their dignity. “Enslave us! We are beasts of the field just like the blacks, see how we mix with them!”
When you have a country of your own, the public space is yours. The stories and myths, even banal things like TV commercials, valorize you. Not so here. We’re under enemy occupation here in America, no hyperbole.
A sympathetic foreigner can sometimes tell your story well. For example, the great ballad “The Night They Drove Old Dixie Down” was written by a Canadian who visited the South. A hostile “domestic foreigner” such as members of American media will always lie about you.
That Gillette ad. But hey, another product came out with a response to it, this time praising men. I saw it and nah. We’re still under foreign occupation. Blacks have the proud and heroic roles in that “positive” commercial, whites look archaic, tragic or weak, so it’s still enemy propaganda, just less abrasive. A simple fact about heroic propaganda: if it features any protagonist that isn’t of your people, most egregiously so if that protagonist is black and portrayed to possess your traditional qualities of virility, strength, honor, and self-sacrifice, the message is corrupted.
Boys in parts of Eastern Europe don’t have to watch demoralizing advertisements. They own their public space, airwaves and otherwise. I’ve seen it on my most recent visit. For one, nowhere on television, nowhere on roadside billboards, did I see a single nonwhite face. One particular TV commercial in Poland was memorable. It featured two children, a blond boy and a girl engaged in some contest. The boy wins, the girl looks up at him with admiration.
On the other hand:
Those powerful domestic interests I mentioned at the beginning, who are determined to drown us in brown immigrants. They are trying to make us tax slaves to the Democrats’ coalition, already stripped of political rights and soon, as they would have it, stripped of legal rights.
The dispossession happened gradually, through the replacement of traditional male virtues with its facsimiles in Political Correctness, like tolerance. To own your public space, you need what we can call intolerant guardians of that space. In America, those guardians were Chads and Rednecks. Those are contemporary shorthand for assertive White men of the middle class and the proletarian class, respectively. They weren’t always “nice guys” but that’s exactly why they played such a vital role in securing our public space and it is also why Hollywood propaganda, in the 1980s, defamed the Chad/Redneck archetypes with such a commitment to destroying their appeal to the average person.
Mission accomplished, Chads and Rednecks are now cagey about appearing “racist.” Tough in confrontation with another White but reflexively toning down anything that might come across as swagger in an interaction with a Person of Color. Their submission is codified to such a degree now, that the most recent publicized act of civil disobedience — a White teenager confidently smiling as an adult Person of Color invades his personal space, in his own national capital, has members of the Left’s vanguard making terrorist threats against a school with impunity.
Nonwhites are now cleared to have swagger in the public space. Their free expression of confidence, of course, is artificial because it’s state-backed and it fizzles when a Chad or a Redneck with a modicum of nonchalance to political circumspection reasserts the natural order. But in the typical case, when those Chads and Rednecks are neutralized as intolerant guardians of public space, it’s not the ordinary White kid who feels like he owns his land and by extension, his destiny.
It’s really very sad. People internalize the ruling classes’ negative propaganda. It took a few decades, but now Whites feel strange when they see an image with only Whites in it. This is why the populist images in the Mellencamp video are so congruent with the entirety of our cultural tradition yet so against the grain of our time. The incoming Third World, certainly, has eagerly internalized the negative propaganda — another three caravans are approaching the U.S. border from the south and they are confident. A reader at Chateau Heartiste explains their invader-mentality:
When they come here, they see themselves as saviors. They are reservoirs of culture, who make America a richer place that white people could never have created without their help. They see themselves as saving white women as well, because the Jevv has cast us for years as an impotent pink loser in worldwide advertising.
Somebody is the favorite son of the late-liberal Western state, and in America it ain’t our sons.
The “Pink Houses” video above shows you a different and more natural way things can be. I wish I could offer something more contemporary but not long after the Eighties, culture went to sleep. Something’s gonna move. The attack on Covington Boys unmasked everyone. And now the layoff-apocalypse of Leftist “journalists”…
Right now I wanna do those moves like Mellencamp at 2:45 in the yellow flower field!