By an unexpected turn of our history, a bit of the truth, an insignificant part of the whole, was allowed out in the open. But those same hands which once screwed tight our handcuffs now hold out their palms in reconciliation: “No, don’t! Don’t dig up the past! Dwell on the past and you’ll lose an eye.” But the proverb goes on to say: “Forget the past and you’ll lose both eyes.” — Alexander Solzhenitsyn, Gulag Archipelago
See Britton, South Dakota in 1938. Excellent-quality film showing life in a typical American town of its era. The musical score — Hans Zimmer’s “Time” — is perfect.
Dostoyevsky once let drop an enigmatic remark: “Beauty will save the world.” What is this? For a long time it seemed to me simply a phrase. How could this be possible? When in the bloodthirsty process of history did beauty ever save anyone, and from what? Granted, it ennobled, it elevated—but whom did it ever save?
There is, however, a particular feature in the very essence of beauty—a characteristic trait of art itself: The persuasiveness of a true work of art is completely irrefutable; it prevails even over a resisting heart. A political speech, an aggressive piece of journalism, a program for the organization of society, a philosophical system, can all be constructed—with apparent smoothness and harmony—on an error or on a lie. What is hidden and what is distorted will not be discerned right away. But then a contrary speech, journalistic piece, or program, or a differently structured philosophy, comes forth to join the argument, and everything is again just as smooth and harmonious, and again everything fits. And so they inspire trust—and distrust.
In vain does one repeat what the heart does not find sweet.
But a true work of art carries its verification within itself: Artificial and forced concepts do not survive their trial by images; both image and concept crumble and turn out feeble, pale, and unconvincing. However, works which have drawn on the truth and which have presented it to us in concentrated and vibrant form seize us, attract us to themselves powerfully, and no one ever—even centuries later—will step forth to deny them.
— Solzhenitsyn, from 1970 Nobel lecture
At 2:45, did the cameraman look for the most handsome boy or did all young men look this healthy back then? Then at 3:02, a “nerd girl” of striking beauty up close.